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Showing posts with label Japan. Show all posts
Showing posts with label Japan. Show all posts

Tuesday, July 19, 2016

13 Assassins (1963)

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 We all have things about us that we want to keep hidden. These things can be small (chronic flatulence) or large (an arrest). To hide those things, whatever they may be, we create stories or other ways to hide or obscure them. The hiding is also something done by cultures and countries, to cover less flattering things about their history. In Japan, they have specific words for this: Honne and Tatemae.


Honne is what is true, or what actually happened, while Tatemae is what others need to see, or the official story. While, in modern times, the Honne has been difficult to hide, it appears that the Tatemae runs rampant in the history of Feudal Japan, where the honor of the Samurai and other castes, and their ingrained need to protect their masters' honor was used as a tool to facilitate Tatemae. Supposedly, the story of the 13 Assassins is supposedly based on actual events that fell victim to Tatemae**.

My reason for that assertion is that I've read that the story is actually part of Japanese lore, but there is no official record.***  The story has been filmed at least twice, in 1963, and again in 2011. I have previously reviews the remake, but just recently got around to this version.

13 Assassins (Juzan-nin no Shikaku)  is set during the Japan's feudal period. Lord Naritsuga, brother of the Shogun is cruel, and terrorizes the citizens under his rule, and is allowed to, because of his familial connection. Even worse, he is soon to be elevated to a loftier position, where he will gain even more authority, with much less accountability.

The elder council decided that they must stop his ascent. In order to do this, they approach Shinzaemon (Shinza), who is something of a Marshall. He is reluctant to take up the mission, until a villager, whose son and daughter-in-law (after she was raped) were murdered by Narigatsu. 
 
Shinza's moment of decision
After Shinza accepts the task, which of course the elders will disavow any knowledge of, he sets out to assemble his group of assassins. They consist of various ronin, other Marshals, and a country samurai.

Assassins assemble!

Hanbei, Narigatsu's head of security, gets wind of the plot, and after failed attempts by spies to gain evidence, confronts Shinza, but is unable to get him to admit to anything. As a result, he is unable to take any direct action, and is left to plan for any traps the assassins may set.

This all leads to Narigatsu eventually embarking on a tour of his domain, and Shinza seeing an opportunity to complete his mission. Through various machinations, the assassins are able to end Narigatsu's reign of terror.

One of Hanbei and Shinza's confrontations

 This is a truly great film. The story is engaging, the cast is magnificent, and the requisite battle is appropriately climactic.

One of the things that I like about the Samurai-era period films is how politics and various codes can drive the story. An example of this is how while Hanbei clearly loathes Narigatsu, and is clearly an honorable man, he is bound by duty to serve his master.

To further illustrate this, he knows that Shinza is clearly up to something, but will not act on the knowledge, because he is unable to find any proof. However, an unfortunate aspect of Hanbei being duty-bound is that in spite of his loathing of Narigatsu, his duty prevents him from taking action himself.

The Assassins' war council

I have read that this film, and many of the period pieces of the era, is supposed to be a parody of sorts of the Bushido. I guess the parody is supposed to be of the characters being bound to their duties out of a sense of honor, even though they know what's required of them is wrong (in Hanbei's case), or almost certain to fail (the assassins). Personally, I didn't see it that way. I saw it as a story of loyalty, honor, and courage, much like films like Platoon and Full Metal Jacket were supposed to be anti-war have been embraced by people who aren't anti-war as great war movies.
 
Hanbei and Shinza's final showdown

The scenes between Shimza and Hanbei, of two different generations of warriors, one weary, and the other brash, are particularly tense, with two actors in fine form. As well as those, the tactics each uses to try to get the upper-hand on the other are quite fascinating, as is the way a village is transformed into a killing ground for the finale.
The action sequences are well-done, the acting is fantastic, and intentionally or not, the film does a good job of explaining the Japanese feudal system, which can be confusing. The only drawback, go me, not necessarily the film's, is that it was sometimes difficult to keep with characters' names. As a Westerner and English speaker, I sometimes got a little lost with names, especially since some characters were often referred to several different ways. Also, I would often get lost in thought, trying to determine what a certain title was equivalent to in Western systems, and would have to rewind, to catch parts that I'd missed.

 I give it four out of five, and highly recommend it. I also recommend Takishi Miike's remake^, which was very faithfully made. 

13 Assassins is available on Amazon Video, Hoopla, and other streaming services, as well as on DVD.
 
Oddly absent from this version, as well as the remake

* This is a hobby for me, so if I'm wrong, give me a break. You get what you pay for with me.

** Seriously, see the first note.

*** See above.

^ Seriously, go read that post.





Thursday, August 9, 2012

Ichi

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 By Craig R.

As I've mentioned before, Samurai films are, by far, my favorite film genre. Chief among them (no disrespect to Kurosawa, who I adore) is the Zatoichi series (films and TV). They starred Shintaro Katsu, as Zatoichi, a blind masseur, who, like Caine, in Kung Fu, walked from place to place, meeting people, and getting into adventures. Seriously, he was also a master swordsman, who did travel, making his living giving massages, and gambling (dice). He usually ended up getting involved in some type of conflict, protecting the innocent, usually from the Yakuza, and correcting injustices. One of the movies was remade in 1989, as Blind Fury, starring the immortal Rutger Hauer. There was also a version released in 2003, starring the great Takeshi Kitano, in the title role.

This Ichi
Not this one - Big difference

Ichi is a homage/spinoff of that series. The main character is Ichi (not to be confused with Ichi The Killer), a blind musician, who, as an infant, was rescued by Zatoichi, and taken to live with a group of blind women. There, she lives, and was educated (Zatoichi would also visit her there, and train her to fight), until she was expelled after being falsely accused of having an affair, which was forbidden. Note: She is often addressed as "Goze", which was a title given to blind women. After her expulsion, she roams from town to town, searching for her mentor. Along the way, she makes a living by giving musical performances, and gambling (dice, as well).


The film opens with a Ronin (masterless Samurai) Fujihira Toma attempting to rescue Ichi from being attacked by a group of bandits. Instead, since he is incapable of drawing his sword, she rescues him. From there, they travel to a village, where she helps him win money playing dice, to replace some that he'd lost in his attempt to save her. Annoyed at Toma’s winning, and not giving them a chance to win back their money, bandits attach him and Ichi. Once again, Ichi saves him. A group of businessmen come upon the aftermath, and mistaking it as Toma's work, and hire him to be a bodyguard.  

When a government official comes to visit, the village, hoping to gain some protection from him, puts on a show. During the show, the bandits attack, and to end it, Ichi offers herself as a hostage. Her real motive for doing so is that the leader of the bandits, Banki, a former Samurai, supposedly knows of Zatoichi's fate. This sets up the chain of events that lead to the climactic battle.

I really like a lot about this film, but have a few issues. It is beautifully produced and directed. The scenery and costuming are fantastic. The characters are appropriately cast, none of the actors seemed out of place. It also has the themes of courage, honor, and sacrifice, common to most films of this genre.


Haruka Ayase does an excellent job as Ichi. She gives an effective, but subtle performance. Ichi is appropriately sullen, considering the hardships that she had to endure, but made stronger by them. She is very convincing as a blind person (Another note: Katsu and Kitano both played Zatoichi with their eyes mostly closed. Ayase plays Ichi with her eyes open). The developing friendship with Toma is played out very well. She starts out as tolerating him, and treating him with contempt, but later becomes his friend. The two share a couple moments that are quite touching.

Most films of this genre seem to have some type of comic relief. Most of this is provided by, or at the expense of Toma. The reason for him not being able to draw his sword is shown in flashbacks, and is quite tragic, but this inability is often played to comedic effect. Also, one of the other characters frequently changes his name to “Ton-ma”, a slight mispronunciation that means “dim witted”, which amusingly flusters him. Takao Osawa gives a strong performance in this role. Though a skilled fighter, his inability to draw humbles him, and the shame and frustration is evident. He does a great job portraying the arc from being sort of buffoonish to becoming a hero.

The villains are almost cartoonish, yet suitably deranged, frequently laughing maniacally, at inappropriate times. Banki (Shido Nakamura - Letters from Iwo JIma) a former Samurai, who was so disfigured from a battle, that he was expelled from his clan, wears a mask, and kills anyone who sees him without it. He was a good villain, but I always got the feeling that he'd be better suited for a '70's Kung Fu movie. I was occasionally distracted, because his main henchman (played by Takeuchi Riki, who apparently makes a living off of playing totally unhinged characters) looked like Wayne Newton, and several others look like Elvis impersonators.

Wayne Newton, is that you?
The main issue I have with it is that it was dubbed into English. Most of that was done pretty well, with most of the voices being seamless. However, a couple voices do sound like those from the aforementioned Kung Fu movies. I suspect that this may be because the actors are trying to imitate the rhythm of the Japanese language.

The film moves rather slowly, at times, and could've been a good deal shorter. However, it makes up for that by having a sword fight about every 15 minutes, with multiple combatants, and a battle between the villagers and the bandits. If you choose to watch, notice the unique way Ichi holds her sword (shown in the trailer below). I did have a problem with Ichi being a secondary character for about a quarter of the film, unable to do much, after losing a brutal duel. This is done to allow Toma to redeem himself, through heroic actions, that result from her captivity.

Flashbacks are put to great use, to explain Ichi and Toma's backstories, though there was additional exposition. The two could've been combined, in some instances, to help with pacing. Ichi’s flashbacks first show how she was rescued, then trained by Zatoichi. In a matter of minutes, they effectively establish the relationship between the two. They also show her life with the other Goze, her training with Zatoichi, and the reason for her expulsion. Toma’s shows the tragedy that prevents him from drawing his weapon.

While not a masterpiece, it is quite enjoyable, this was actually my second viewing. If you enjoy this, or not, or choose not to not even watch, I recommend the classic Zatoichi films, which may eventually  get their own posts. There are several available, for free, on Hulu.

Ichi’s original language Japanese, but is dubbed in English (I originally saw it with subtitles). It is Rated-R, with a run time of 1 hour, 58 minutes, and is available on Netflix, and Amazon Instant.

I give if 3, out of four cane swords.


Wednesday, July 11, 2012

Battle Royale

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By Craig R.


Some things are so horrific that it's hard to look away: Car accidents, train wrecks, Pauly Shore movies. Such is the case with Battle Royale. That isn't because it's a bad film. On the contrary, it's an excellent film. The problem isn't that it has a lot of graphic violence. The problem is that it involves children, specifically teenagers.

Originally released in 2000, Battle Royale was not released in the US until 2011. This is because it couldn't find a distributor, due to fears of legal actions resulting from the content. In the meantime, The Hunger Games books and movie were released. The similarities are so striking that fans have accused Suzanne Collins of stealing the idea for the story.

Set in a collapsing Japan (10% unemployment, teens going on strike by refusing to go to school), the government establishes The BR Program, where an entire Junior High class is randomly selected to participate in a fight to the death. As in The Hunger Games, this is supposedly to keep the population under control through instilling fear.


Not this kind
In the film, a class of forty students is gassed while on a bus trip, and wake up in a briefing room on a deserted island. They are greeted by heavily-armed soldiers, and their former teacher Kitano (played by the great Takeshi Kitano), who quit after being stabbed by one of them. At this point, he explains their situation: their class has been randomly selected to participate in that year's Battle Royale as a result of the BR Act, which was passed after 800,000 students walked out of school. They have three days to kill each other, until only one of them remains. If that does not happen, the explosive collars they are wearing will detonate. They will also happen to participants who resist the rules, or enter "death zones", which will be announced every twelve hours.  It is never mentioned, but the only prize for surviving is just that.

Kitano

At this point, during their orientation, Kitano mercilessly kills a couple students who cause trouble during the orientation, to make his points. The students are then sent out one-by-one.  Each of them is given a bag of food and water, map of the island, compass, and randomly issued a weapon. The weapons are anything as lethal as a gun or knife, or seemingly useless as a pot lid or paper fan.

                                                                                
Within hours, twelve of them die, some by suicide. Two "exchange students" had been added to the group, one of whom is quite vicious. Presumably, I don't recall it being discussed much; the two were probably added in the event that many of the students are reluctant to kill. As The Hunger Games did later, all of the day's deaths are announced during each evening's announcements.

As the story unfolds, some of the students form alliances, and seek out others, in order to protect them, and express unrequited love.Unfortunately, this leads to multiple deaths, at one time. The stress also causes them to reveal their true character, with one even using the situation to settle old scores.

If there's an intended message to this film, I didn't see it, though I've read that it was to condemn television violence. That may be so, but I don't recall any mention that the events were televised. I got the sense that while the portrayal of the violence, while graphic, and unflinching, wasn't done for the sake of glorifying it. I expected that, because films of this type from Japan often seem to do otherwise.

If there was a message, in my opinion, it was that stress will reveal someone's true character, and can strengthen love and friendship, but that may just be me looking for something good. If there is a redeeming value, it is, as mentioned earlier, that alliances are formed, where the members do not turn on each other, and that the actions of some are motivated by love.

Although this is a well-made film, I hesitate to recommend it. I'll let you make up your minds about deciding to watch it. I almost didn't write this review, because the violence was a little unsettling, but felt that I should at least warn anyone who is considering viewing this.



I give this film three out of five pot lids, because of my reservations. It was made in Japan, and is available in Netflix Instant. The language is Japanese, with subtitles, and is Not Rated. Run time is 1 hour, 54 minutes.

Update 9/20/13: It is available on Netflix Instant and Amazon Instant. However, I found the whole thing on YouTube.


Note: I would normally post the trailer here, but I felt that it was a little too graphic. If you are interested in this film, I recommend that you watch it first.