13 Assassins (1963)

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 We all have things about us that we want to keep hidden. These things can be small (chronic flatulence) or large (an arrest). To hide those things, whatever they may be, we create stories or other ways to hide or obscure them. The hiding is also something done by cultures and countries, to cover less flattering things about their history. In Japan, they have specific words for this: Honne and Tatemae.

Honne is what is true, or what actually happened, while Tatemae is what others need to see, or the official story. While, in modern times, the Honne has been difficult to hide, it appears that the Tatemae runs rampant in the history of Feudal Japan, where the honor of the Samurai and other castes, and their ingrained need to protect their masters' honor was used as a tool to facilitate Tatemae. Supposedly, the story of the 13 Assassins is supposedly based on actual events that fell victim to Tatemae**.

My reason for that assertion is that I've read that the story is actually part of Japanese lore, but there is no official record.***  The story has been filmed at least twice, in 1963, and again in 2011. I have previously reviews the remake, but just recently got around to this version.

13 Assassins (Juzan-nin no Shikaku)  is set during the Japan's feudal period. Lord Naritsuga, brother of the Shogun is cruel, and terrorizes the citizens under his rule, and is allowed to, because of his familial connection. Even worse, he is soon to be elevated to a loftier position, where he will gain even more authority, with much less accountability.

The elder council decided that they must stop his ascent. In order to do this, they approach Shinzaemon (Shinza), who is something of a Marshall. He is reluctant to take up the mission, until a villager, whose son and daughter-in-law (after she was raped) were murdered by Narigatsu. 

 

Shinza's moment of decision

After Shinza accepts the task, which of course the elders will disavow any knowledge of, he sets out to assemble his group of assassins. They consist of various ronin, other Marshals, and a country samurai.

Assassins assemble!

Hanbei, Narigatsu's head of security, gets wind of the plot, and after failed attempts by spies to gain evidence, confronts Shinza, but is unable to get him to admit to anything. As a result, he is unable to take any direct action, and is left to plan for any traps the assassins may set.

This all leads to Narigatsu eventually embarking on a tour of his domain, and Shinza seeing an opportunity to complete his mission. Through various machinations, the assassins are able to end Narigatsu's reign of terror.

One of Hanbei and Shinza's confrontations

 This is a truly great film. The story is engaging, the cast is magnificent, and the requisite battle is appropriately climactic.

One of the things that I like about the Samurai-era period films is how politics and various codes can drive the story. An example of this is how while Hanbei clearly loathes Narigatsu, and is clearly an honorable man, he is bound by duty to serve his master.

To further illustrate this, he knows that Shinza is clearly up to something, but will not act on the knowledge, because he is unable to find any proof. However, an unfortunate aspect of Hanbei being duty-bound is that in spite of his loathing of Narigatsu, his duty prevents him from taking action himself.

The Assassins' war council

I have read that this film, and many of the period pieces of the era, is supposed to be a parody of sorts of the Bushido. I guess the parody is supposed to be of the characters being bound to their duties out of a sense of honor, even though they know what's required of them is wrong (in Hanbei's case), or almost certain to fail (the assassins). Personally, I didn't see it that way. I saw it as a story of loyalty, honor, and courage, much like films like Platoon and Full Metal Jacket were supposed to be anti-war have been embraced by people who aren't anti-war as great war movies.

 

Hanbei and Shinza's final showdown

The scenes between Shimza and Hanbei, of two different generations of warriors, one weary, and the other brash, are particularly tense, with two actors in fine form. As well as those, the tactics each uses to try to get the upper-hand on the other are quite fascinating, as is the way a village is transformed into a killing ground for the finale.

The action sequences are well-done, the acting is fantastic, and intentionally or not, the film does a good job of explaining the Japanese feudal system, which can be confusing. The only drawback, go me, not necessarily the film's, is that it was sometimes difficult to keep with characters' names. As a Westerner and English speaker, I sometimes got a little lost with names, especially since some characters were often referred to several different ways. Also, I would often get lost in thought, trying to determine what a certain title was equivalent to in Western systems, and would have to rewind, to catch parts that I'd missed.

 I give it four out of five, and highly recommend it. I also recommend Takishi Miike's remake^, which was very faithfully made. 

13 Assassins is available on Amazon Video, Hoopla, and other streaming services, as well as on DVD.

 

Oddly absent from this version, as well as the remake

* This is a hobby for me, so if I'm wrong, give me a break. You get what you pay for with me.

** Seriously, see the first note.

*** See above.

^ Seriously, go read that post.

Chawz, in Which Pigs Get Some Sweet, Sweet Revenge

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Jaws, and a select few other monster movies, was very effective because for much of the film, the shark was never seen, leaving much to the imagination. The Andy Griffith Show was great because it was about a competent Sheriff surrounded by small town eccentrics. Chawz, a South Korean (I'm not sure if there's any other kind of Korean film) film that effectively borrows more than a few elements from both of those classics, as well as others (Roger Corman productions, Predator).

Not Appearing in this film

This film is about a rural Korean village, Sam-Re-Me, that dubs itself "The village without crime", that has a series of animal attacks. It so happens that at the same time the town is promoting itself to bring in tourists to harvest their "organic" crops. As in Jaws, town leaders want the attacks covered up. I'm going to continue under the assumption that anyone reading this has seen Jaws, so "as in Jaws" should be implied whenever an element of the plot is mentioned (in case you've never seen Jaws, go here). At about this time, Officer Kim Kang-Soo is transferred to town, from Seoul. He wound up there, because as a joke, he wrote "anywhere" on a transfer request. He moves there with his wife, and somewhat eccentric, possibly demented, mother. He is what I'd consider the Andy Griffith character in this film. With the exception of Kim, and Inspector Shin (who never removes his sunglasses), the rest of the police force, including the Captain are Barney Fife types.

 Nope, him neither

                                                                
It turns out that the creature in question is is a seemingly indestructible, man-eatingmutant boar. After several attacks, professional hunters are brought in to track it down. Of course they kill a pig that turns out to be the wrong one. The deceased turns out to be the mate of our man eater.

After the boar attacks a celebration at the town hall, an expedition is formed to track it down. The party is led by two big game hunters Chun Il-Man (a retired legend, and the grandfather of one of the victims) and Baek Man-Bae (the estranged, glory-seeking protégé of Chun). It also includes Byun Soo-Ryun, a Biologist, as well as Kim, and Shin. Kim's mother even tags along for a while. Once they get into the mountains, events occur that turn them from being the hunters, to the hunted.

There are several attempts to kill it, which of course fail. There rea couple of long chases, where it chases our protagonists. The climax, and epilogue are reminiscent of other creature features, but different enough to be unique. Stick around until the credits roll, there is an amusing extra scene.

I thoroughly enjoyed this film. There is quite a bit of humor in almost every scene, making it a great black comedy. Most of the characters are pretty well fleshed-out, and interesting. The eccentric villagers, even one who randomly appears, seemingly, just for the sake of weirdness, are all thoroughly so.

The effects, even the CGI pigs, are all quite effective. There is a more than sufficient amount of carnage, and most of the attacks, where the boar makes a kill, leave much to the imagination. It is also beautifully shot, and there is excellent character interaction.

This film does seem to have a couple messages, though not heavily played. A suspected origin of the mutant pigs is that they resulted from experiments performed by the Japanese military during World War II. This continues a theme that I've noticed in many Asian films, from countries that were occupied by Japan. They often take subtle jabs at that nation, as causing the problem, as is the case here, or as villains, as in a couple of Bruce Lee's films. Also, Byun suggests that the pigs have come down from the mountains because of deforesting done for farming. One could also interpret the attempts to cover up the attacks as a jab at corruption.

This is a great film, in which couldn't find any major flaws, or annoyances. The dialogue is in Korean, with subtitles. It is Rated-R (language and violence), and run time is 2 hours, 1 minute, and is available on Netflix Instant.

I give it four, out of four, mutant pigs.